I create each of my glasswork pieces by hand in my studio in Sequim, Washington. I design custom homes by day and love to discuss all aspects of design.

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Entries in Architecture (3)

Thursday
Jun142012

PnS Post: Entry Doors

Today's guest post on the papernstitch blog takes a look at all kinds of entry doors - from modern to traditional, glass to wood, standard to pivot, and even includes an industrial plywood entry. Check it out here.

Monday
Apr302012

Twitter Roundup: Apr 30

 



Busy time here at FormFire Glassworks - in the home stretch for getting my Fab order out the door. In the meantime, here's some great stuff I found through my perusal of Twitter links: 

Images:

Donkey Cabinet: great colors and composition by Thomas Wold at Anthology Magazine blog - Via @justinablakeney

Storefront: post by Chloé Douglas on Rena Tom - Via @plentyofcolour

Chive and Cheddar Buttermilk Scones: need to make these for my husband - Via @tasteologieFEED

Nomu Tea Set: Love the combination of ceramic and cork. Classy yet down-to-earth - Via @bltd

1939 New York World's Fair poster: from Pantone's Color History of the 20th century - Via @brainpicker

Links:

Hobbies: the Personal Path to Creativity - Via @CreativityPost

How to: Use a single paper towel to dry your hands - Via @brain picker

Jamie Oliver's Food Revolution Day: May 19th, stand up for real food! - Via @richardbranson

Tuesday
Nov302010

Design is Design

To give a kick-start to the re-launch of my website and blog, I decided to re-run one of my favorite blog posts. I hope you enjoy it as much as I do.

As I had a conversation yesterday with a couple of my husband’s friends that work in the realm of graphic design and web development, a discussion ensued about the nature of design and the idea of basic design as a cross-disciplinary ability. I found out that one of them had a metalsmithing and jewelry background about which I had not previously known. I related a story told to me by Brad Pearson about a professor of his requiring that for a final grade in a glassblowing class, the students each (separately) bring in the glasswork piece that they believed was the most successful of the year. The professor then proceeded to cover the piece completely with black spray paint (this is glass, remember, it will come off). He then asked the student to look at it again to see if it was still their favorite piece. The point of this was to illustrate that before all the color and decoration that the basic form and idea needed to be a solid and well-realized one.

Both of the objects in these images deal with color and texture, albeit on a radically different scale. My interlaced droplet set incorporates the rhythm of the interlocking forms as well as a change in texture between the flat discs and the edges of the perpendicular discs. The 7 separate beads are designed to interlock with one another to create a whole that goes far beyond what a view of one of the beads might suggest. The parts are tied together with the repetition of the spacer discs. The house employs rhythm in the layout of the window and door system, and the continuation of the pattern into the metal siding and sheet metal fascia. The change in texture and color between the stucco, metal, glass and the wood allows each part to become an important piece of the whole composition, while the play of openness against solid structure allows for a hierarchy of form. The volumes interlock in a deliberate way, relying on each other to create an overall composition. Although one requires a knowledge of structure and includes the need to create spaces amenable to living, these are merely added parameters that are built upon the basic design foundation. Knowing how to put together a building that doesn’t fall down and has the spaces required by the program does not make one a good designer. Nor does being able to melt glass onto a mandrel, the basic requirement that separates lampworking from other artistic expression.

I am a sucker for anything design-oriented. I watch the competitions on Bravo - Top Design, Project Runway, Shear Genius, and think that I could probably work in those occupations as well. I put together fun Halloween costumes for my kids with pretty great zombie makeup complete with open wounds and maggots. I often work with my husband when he comes upon a stumbling block in a new typeface he is designing. I’m happy to say that my children are developing an eye for good design and proportion as well feeling confident about trying new creative endeavors.

I have recently been looking at adding metalsmithing to my glasswork, creating fully handmade jewelry items. As I look into the new requirements and constraints of metalwork, I continue to remind myself that design is design is design.